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Leon Golub
The complex dynamics of power, violence and politics pervade the breadth of Leon Golub’s paintings. Born in Chicago in , Golub received his BA in Art History from the University of Chicago in Golub subsequently attended the School of the Art Institute of Chicago where he received his BFA and MFA in and , respectively, after serving as an army cartographer in WWII.
In the late s, Golub met the artist Nancy Spero ( – ) to whom he was married, and collaborated with variously, for nearly 50 years. During this time, Golub became involved with the Monster Roster Group: a post-war circle of artists based in Chicago and joined by a shared fascination with surrealism, mythology and ancient art, systems of representation, and the politics of social critique. This early engagement, especially for its motion away from then dominant abstract modes of painting, informed the rest of Golub's career.
In , Golub co-founded the event, ‘Exhibition Momentum,’ a confrontational response to the Art Institute of Chicago's banning of undergraduate submissions to its annual ‘Artists of Chicago and Vicinity’ exhibition. This recalcitrant form of activism proved typical for Golub, r
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Spring | Volume 24, Issue 1
Petra ten-Doesschate Chu et al., “Editors’ Welcome.”
Christianna Bonin, “Konstantin Korovin’s Borderline Modernism: Vanguard Art and Imperial Expansion.”
Priti Joshi, “Copying Elites: The British Illustrated Press, Indian Portraiture, and Alienated Labor.”
Margherita Tabanelli, “‘Achever ce monument dans son caractère primitif’ (‘complete this monument in its original character’): The Genesis and Failure of Viollet-le-Duc’s Project to Complete the Church of Saint-Just in Narbonne.”
Evelien de Visser, “Women in the Nineteenth-Century Art Market: The Case of Helene Schemel.”
Brian Jeffrey Maxson, “Edmonia Lewis, Bust of Helen Ruthven Waterston, ”
Anne Helmreich, “A Perspective from the Archives.”
Jessica Basciano, manual review of Rebuilding St. Paul’s Outside the Walls: Architecture and the Catholic Revival in the 19th Century by Richard Wittman.
Berin Golonu, book review of Hagia Sophia in the Long Nineteenth Century edited by Emily Neumeier and Benjamin Anderson.
Philippe Kaenel, publication review of Goethe’s Faust I Outlined by Evanghélia Stead.
Caterina Y. Pierre, manual review of French Sculpture: An Americ Biography Lives and works in Los Angeles Education Solo Exhibitions &#;My Favourite Model - Study 1&#; by Roger Payne &#;My Favourite Model - Study 3&#; by Roger Payne &#;My Favourite Model - Study 4&#; by Roger Payne &#;My Favourite Model - Study 6&#; by Roger Payne &#;My Favourite Model - Study 7&#; by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne Erotic Drawing No. A by Roger Payne .
Born in Mexia
California Institute of the Arts, Valencia; MFA
University of Texas, Austin; BFA
Kunsthalle Wien, Vienna (forthcoming)
&#;New Paintings&#;, Greene Naftali, New York
&#;The Garden of Loved Ones&#;, Empty Gallery, Hong Kong
&#;Blood Everywhere&#;, Reena Spaulings, Los Angeles
&#;Featuring 13 Flamboyant Fiends&#;, Galerie Buchholz, Berlin
&#;Bacon Beast&#;, rubbish bin, Berlin
LOEWE FW24 Men’s Show, La Garde Républicaine, Paris
&#;New Paintings&#;, Gaga & Reena Spaulings, Los Angeles
&#;Richard Hawkins: Videos&#;, Guzzler, Rosanna
&#;The Forrest Bess Variations&#;, Greene Naftali, Novel York
Galerie Buchholz, Berlin
&#;Bait Paintings&#;, Greene Naftali, New York
Richard Telles Fine Art, Los Angeles (with John McAllister)
&#;Collage Paintings, Gesture Paintings&#;, Galerie Buchholz, Berlin
&#;To the Property of Shibusawa&#;, Galerie Buchholz, Berlin
&#;Hotel Suicide&#;, Greene Naftali, New York (catalogue)
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